We’re delighted to announce we’re starting an interpretation project with Derwent Valley Mills World Heritage Site.
New interpretation for Wirksworth’s community woodland.
Continue reading “Stoney Wood”
What an appropriate name Peeling Back the Layers turned out to be – with so many layers of archaeology and history uncovered at Whitle Farm.
One of the great joys of my role as a heritage interpreter is the invitation to visit schools to witness and support young people’s enthusiasm for archaeology and heritage. For Peeling Back the Layers, we facilitated 7 sessions over 5 days for 10 schools. Lively packed sessions in which children recalled their archaeological experiences enthusiastically – their detailed memories a testimony to the positive impact their experience made.
Children recalled the site, the tools they used, the tasks they did, then handled finds from the site, whose dates spanned 6 centuries. We discussed how the artefacts might have got into the ground, the similarities between the interrupted narratives of archaeology and of sequential narrative art (comic strip formats), and the children drew mini comics of their own.
We discussed the activity-content of young people’s comics and the children brainstormed the many various activities and puzzles they love – wordsearches and spot the difference always clear winners!
The project leaders were keen to reference a wide spread of time periods and characters within the 8-page activity mag, and for this reason we decided to offer an activities-based publication rather than a single story. Creating the content is then an ongoing negotiation between the needs of the target readership and the desires of the project owners – how to choose the focus(es) from among the many possible themes, characters and periods we could communicate? Which themes and facts make the final cut? What is informative, engaging and fun for the readers?
First, I proposed activities, themes and content. We talked, we tweaked. And once we had consensus, I briefed artist Sally Jane Thompson to begin working her magic through the several artistic stages of creating a comic, while I coordinated rounds of comments and amends at each stage to keep the interpretive content on-track.
Let’s leave the final word to Sally:
I was struck with the way evidence of so many different time periods has layered up in one place. I particularly enjoyed learning a bit about the range of cottage industries that one piece of land could offer to those who lived on it (although, despite all the lovely history, the anachronisms on page 8 may have been the most fun to draw!).
We’re doing a quick bit of formative evaluation on a comic and animation we are developing for Treak Cliff Cavern, Castleton.
Continue reading “Treak Cliff Consultation”
Bill is working with All Saints Church, Ilkley on community engagement, interpretive planning and heritage advice as part of the church’s Heritage Lottery Fund application.
Continue reading “All Saints, Ilkley”
We are starting work on a two-year project to develop a range of new interpretation at and about Treak Cliff Cavern, Castleton, Derbyshire.
Continue reading “Treak Cliff Cavern”
Tideswell Living History Group win the Tideswell Community Group Award for the Tideswell Tales project. Continue reading “Tideswell Tales Wins Community Award”
Today, we began work on a project to represent and interpret Duffield Castle with a site visit and inception meeting.
Continue reading “Duffield Castle”
The Association for Heritage Interpretation’s annual conference is to be held in Belfast on the 5th-7th October.
Continue reading “Interpreters' Conference”
Worth taking a look at the ICOMOS manifesto for cultural heritage.